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31 verso
32 recto
71
{kon.[ec]} 1902 {spíše 1903} sig.[nováno] (dat.[ováno] 190 přilepeno) (lepenka olej?)
zde už prokreslen
Výborně pojat. Sedí, hlavu trochu
vzhůru, ústa pootevřená, jakby z nich
vycházely hořkosti. Ruce složeny
na kolenou vedle sebe.
Magické osvětlení žlutavé v
modré prostoře
Prsty hůlkovité
1
The Blind Man, 1903. Watercolor on paper mounted on canvas, 21 1/4 x 14 1/8 in. (53.9 x 35.8 cm). Fogg Museum, Harvard Art Museums, Cambridge, Mass., Bequest from the Collection of Maurice Wertheim, Class of 1906.
102
1902 (či 1904?) (plátno, olej)
Světlo magické modeluje. v přesné
tvary. Žlutavá pleť svítí.
Dělník při jídle.
Z celku modrého džbánek hnědavý
a chléb. Zde už hladce modelován
Zátiší prozrazuje studium
Španělů 17. st.[oletí] Zároveň časné
Cézanny. Stůl plasticky, formovĕ
Krátce forma zde důležitá.
Prsty ještě gumovité co 1901, ale
též hůlkovité.
Není dokonalý obraz.
Mnohé hrubě.
Než zátiší báječně v prostoru.
Krásné tvary.
2
The Blind Man’s Meal, 1903. Oil on canvas, 37 1/2 x 37 1/4 in. (95.3 x 94.6 cm). The Metropolitan Museum of Art, New York, Purchase, Mr. and Mrs. Ira Haupt Gift, 1950, 50.188. Identification: Pierre Daix and Georges Boudaille, Picasso: The Blue and Rose Periods: A Catalogue Raisonné of the Paintings, 1900–1906 (Greenwich, Conn.: New York Graphic Society, 1967), no. IX.32
31 verso
32 recto
71
{e.[nd]} 1902 {more likely 1903} sig.[ned] (dat.[ed] 190 pasted on) (pasteboard oil?)
here now fully detailed
Wonderfully conceived. Sits, head a bit
upright, mouth opened, as if
speaking bitterness. Hands resting
on knees side by side.
Magical yellowish lighting in
blue space
Fingers sticklike
1
The Blind Man, 1903. Watercolor on paper mounted on canvas, 21 1/4 x 14 1/8 in. (53.9 x 35.8 cm). Fogg Museum, Harvard Art Museums, Cambridge, Mass., Bequest from the Collection of Maurice Wertheim, Class of 1906.
102
1902 (or 1904?) (canvas, oil)
Magical light models. into precise
forms. Yellowish complexion shines.
Worker at his meal.
Amid overall blue brownish jug
and bread. Here now smoothly modeled
Still life betrays study
of 17th cent.[ury] Spaniards. Also early
Cézannes. Table sculptural, as form
In short, form here important.
Fingers still rubbery like 1901, but
also sticklike.
Not a perfect picture.
Much coarseness.
Though still life marvelously situated in space.
Beautiful forms.
2
The Blind Man’s Meal, 1903. Oil on canvas, 37 1/2 x 37 1/4 in. (95.3 x 94.6 cm). The Metropolitan Museum of Art, New York, Purchase, Mr. and Mrs. Ira Haupt Gift, 1950, 50.188. Identification: Pierre Daix and Georges Boudaille, Picasso: The Blue and Rose Periods: A Catalogue Raisonné of the Paintings, 1900–1906 (Greenwich, Conn.: New York Graphic Society, 1967), no. IX.32
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