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28 verso
341
Mezi nohami zeleň a červeň. Na
těle zelené čáry. Na modři
v pravém rohu čáry oranžové.
Dekorace, z níž žije Kandinský.
Živé barvy citlivé, Matissovské, ne
[van] Gogh. Kontrast a analogie
Rozložení příliš „schnörkelhaft“
Proti Matissovi už snaha po volumen.
Žádná zvláštní barva těla, nýbrž
úplně sdílí je s pozadím
1
Standing Nude Woman, 1907. Oil on canvas, 36 5/8 x 17 in. (93 x 43 cm). Civiche Raccolte d’Arte, Milan.
29 recto
51
1905 (Plátno, olej)
Z nejkrásnějších věcí rosa p.[eriody]
základ {rosa} červenavá tapeta s kyticemi barevnými.
(měděná červeň zvláštní)
Hlava ovšem není dokonale v ploše.
dělá relief. a vůbec ne barevně
ale chiaroscuro. Šat knallblau
kobalt ultramarin Sedí rozkročen, v levé
ruce dýmku, pravá svislá k stoličce.
Výraz úžasný , bolestný,
už malováno divinatorsky, ale je to
z oněch věcí na ostří nože, co
dívka u Steina (táž modř)
dříve Berlín [modř]
Kol[em] hlavy červené květy věnec
červeň odchylná od pozadí i růží
v kyticích.
Trochu raffinerie Redona. spojení
chiaroscura a barev
(Výrazové posuny jemné, jaké
stvořil Picasso.
1
Boy with a Pipe, 1905. Oil on canvas, 39 1/4 x 32 in. (99.7 x 81.3 cm). Sold Sotheby’s New York: May 5, 2004 (lot 7).
43
1905
Z téže doby co 5. Modravý stůl?
stěna do červena. Obraz naskicnut
nějaké madony.
Předměty jako nadechnuty.
Hnědá konvice, zelený šálek ale
Divinatorsky. Jaký vkus barevný
a jak citlivé.
3
Still Life with Painting, 1906. Oil on canvas, 32 1/8 x 39 5/8 in. (81.5 x 100.5 cm). Gregory Callimanopulous Collection, New York. Identification: Enrique Mallen, ed., Online Picasso Project (Huntsville, Tex.: Sam Houston State University, 1997‒2019), no. OPP.06:094
28 verso
341
Between legs green and red. On
body green lines. On blue
in right corner orange lines.
Decoration, which Kandinsky thrives on.
Vivid sensitive colors, Matisse-like, not
[Van] Gogh. Contrast and analogy
Arrangement overly “schnörkelhaft”2
Compared to Matisse attempt now at volume.
No distinct body color, but rather
fully shares it with background
1
Standing Nude Woman, 1907. Oil on canvas, 36 5/8 x 17 in. (93 x 43 cm). Civiche Raccolte d’Arte, Milan.
2
German. Ornate.
29 recto
51
1905 (Canvas, oil)
Among most beautiful pieces of rose p.[eriod]
ground {rose} reddish wallpaper with colorful bouquets.
(copper red unusual)
Head however isn’t perfectly within plane.
creates relief. and not at all with color
but chiaroscuro. Clothing Knallblau2
cobalt ultramarine Sits spread-legged, pipe in left
hand, right down toward stool.
Expression astonishing , painful,
here painted prophetically, but is
one of those pieces on a razor’s edge, like
the girl at Stein’s (same blue)
earlier Berlin [blue]
Sur[rounding] head red flowers wreath
red different from background and roses
in bouquets.
Some of sophistication of Redon. fusion of
chiaroscuro and colors
(Expressive shifts subtle, these
Picasso created.
1
Boy with a Pipe, 1905. Oil on canvas, 39 1/4 x 32 in. (99.7 x 81.3 cm). Sold Sotheby’s New York: May 5, 2004 (lot 7).
2
German. Common in botanical usage, this term refers to a deep royal or ultramarine blue tinged with violet.
43
1905
From same period as 5. Bluish table?
wall reddish. Sketched picture
of a Madonna.
Objects almost hazed over.
Brown teakettle, green cup but
Prophetically. What taste in color
and how sensitive.
3
Still Life with Painting, 1906. Oil on canvas, 32 1/8 x 39 5/8 in. (81.5 x 100.5 cm). Gregory Callimanopulous Collection, New York. Identification: Enrique Mallen, ed., Online Picasso Project (Huntsville, Tex.: Sam Houston State University, 1997‒2019), no. OPP.06:094
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