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6 verso
161
Svítí báječně
Základ co u 11 (prostor), ale
citlivější. Brilantní
Štětcem dokresleno černě
1
La Belle Hollandaise, 1905. Gouache, oil, and chalk on cardboard laid down on wood, 30 3/8 x 26 in. (77.1 x 65.8 cm). Queensland Art Gallery, South Brisbane, Australia, Purchased 1959 with funds donated by Major Harold de Vahl Rubin.
172
Ultramarín modř slabě, karnace
plošně, hnědí a červenaví Koně
Plošně, a přece prostor
(Studie pro lept?)
2
The Watering Place, 1905‒6. Gouache on tan paper board, 14 7/8 x 22 7/8 in. (37.8 x 58.1 cm). The Metropolitan Museum of Art, New York, Bequest of Scofield Thayer, 1982, 1984.433.274. Identification: Gary Tinterow and Susan Alyson Stein, eds., Picasso in The Metropolitan Museum of Art (New York: The Metropolitan Museum of Art, 2010), no. 29
7 recto
351
1907 (lepenka, gouache)
Strom plošně, dokonalé černé kontury
Malachyt modrá v prostřed, větve kol[em]
červeně. Útesy listí Veronese. Pak
dole v rohu zlatá žluť do brunátné
na oné modři čáry okrové.
Křivky hrají proti sobě, ale jsou
tu též plastické náběhy, [nečitelný]
prostorové.
Levý roh dole tmavá červeň, také černá
výplň (jak samet.)
Počátek všech à la Lhote etc.
[sketch]2 úžasná dekorace
barevná. Skvělé
jak sklomalba.
Drahokamy
Jako cloisonné
Chce dělat
obraz co Matisse
Modř hraje v středu proti největší
ploše žluté. Červeň proti zelené
Tedy komplementární.
Krásná věc
1
Landscape, 1907. Gouache on paper mounted on cardboard, 25 1/2 x 19 5/8 in. (64.8 x 49.9 cm). Virginia Museum of Fine Arts, Richmond. Identification: Pierre Daix and Joan Rosselet, Picasso: The Cubist Years, 1907–1916: A Catalogue Raisonné of the Paintings and Related Works (Boston: New York Graphic Society, 1979), no. 59
6 verso
161
Shines marvelously
Ground same as 11 (space), but
more sensitive. Lustrous
Black added in with brush
1
La Belle Hollandaise, 1905. Gouache, oil, and chalk on cardboard laid down on wood, 30 3/8 x 26 in. (77.1 x 65.8 cm). Queensland Art Gallery, South Brisbane, Australia, Purchased 1959 with funds donated by Major Harold de Vahl Rubin.
172
Ultramarine blue faint, skin tone
flat, brown and reddish Horses
Flat, and yet space
(Study for etching?)
2
The Watering Place, 1905‒6. Gouache on tan paper board, 14 7/8 x 22 7/8 in. (37.8 x 58.1 cm). The Metropolitan Museum of Art, New York, Bequest of Scofield Thayer, 1982, 1984.433.274. Identification: Gary Tinterow and Susan Alyson Stein, eds., Picasso in The Metropolitan Museum of Art (New York: The Metropolitan Museum of Art, 2010), no. 29
7 recto
351
1907 (pasteboard, gouache)
Tree flat, perfect black contours
Malachite blue in middle, surr[ounding] branches
red. Leaf ridges Veronese. Then
down in corner golden yellow to ruddy
on the blue lines of ocher.
Curves play against one another, but
there are also sculptural inclinations here, [illegible]
three-dimensional.
Left lower corner dark red, with black
infill (like velvet.)
Starting point for all those à la Lhote etc.
[sketch]2 astonishing decoration
colorful. Magnificent
like glass painting.
Precious gems
Like cloisonné
Wants to make
picture like Matisse
Blue in middle plays against largest
yellow area. Red against green
Thus complementary.
Beautiful piece
1
Landscape, 1907. Gouache on paper mounted on cardboard, 25 1/2 x 19 5/8 in. (64.8 x 49.9 cm). Virginia Museum of Fine Arts, Richmond. Identification: Pierre Daix and Joan Rosselet, Picasso: The Cubist Years, 1907–1916: A Catalogue Raisonné of the Paintings and Related Works (Boston: New York Graphic Society, 1979), no. 59
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