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23 verso
531
barva rozetřena v skvrnách, ale ne
tak pravidelných co 56 kde připomínají
Seurat.
1
Glass and Cup, 1911. Oil on canvas, 10 5/8 x 13 3/4 in. (27 x 35 cm). Private collection. Illustrated in Ausstellung Pablo Picasso, exh. cat. (Munich: Moderne Galerie Heinrich Thannhauser, 1913), no. 53
642
o spojování skvrn se nejedná, ale
třpytící světlo. Černé, bílé, okrové
do sebe. Jinde rozetřená barva
neklidná, ale přece mírnější světlo
Skvrnami hněte tajemný prostor,
proplétá ho různými barvami
Mandoline už klidné lokální
tony žluté
2
The Mandolin Player, 1911. Oil on canvas, 39 5/8 x 27 3/8 in. (100.5 x 69.5 cm). Fondation Beyeler, Basel, Sammlung Beyeler. Identification: Pierre Daix and Joan Rosselet, Picasso: The Cubist Years, 1907–1916: A Catalogue Raisonné of the Paintings and Related Works (Boston: New York Graphic Society, 1979), no. 425
24 recto
321
žlutavé pozadí
[sketch]2 Zde už samostatné
Kusy a úseky nádob
co později
Deformace džbánu.
Cézanne by to podal v barevných tonech
krásná forma by byla latentní. Zde
forma zdůrazněna, linie vůbec základem
kompozice. Chiaroscuro, a k tomu
kombinovaná barva skvělá [el] Grecova, ne
pleineirní Cézanna.
1
Still Life (Still Life with Bouquet of Flowers), 1908. Oil on canvas, 15 1/8 x 18 3/8 in. (38.2 x 46.5 cm). Sold Sotheby’s New York: November 4, 2014 (lot 27). Identification: Jana Claverie, Vincenc Kramář: Un théoricien et collectionneur du cubisme à Prague (Paris: Reunions des Musées Nationaux, 2002), p. 227
523
1909 podzim 80x60 Plátno, olej
Siena pál[ená] s bílou, temná, trochu okru,
šeď, čerň, běl, smaragd[ová] zeleň skvělá
a bledé s šedí.
Charakteristické směsí Sieny a šedi.
Kräftig! Z nejkrásnějších děl 1909
Z doby plastiky. Malováno
Zde bližší Cézanna, více
modelace a fakticky opět jen
bohatší Ingres. Světlo, plastika
hlavní, a světlo stále více odbarvuje
3
Woman with Pears, 1909. Oil on canvas, 36 1/4 x 27 7/8 in. (92.1 x 70.8 cm). The Museum of Modern Art, New York, Florene May Schoenborn Bequest. Illustrated in Ausstellung Pablo Picasso, exh. cat. (Munich: Moderne Galerie Heinrich Thannhauser, 1913), no. 52
23 verso
531
paint spread about in spots, but not
as regular as 56 where they recall
Seurat.
1
Glass and Cup, 1911. Oil on canvas, 10 5/8 x 13 3/4 in. (27 x 35 cm). Private collection. Illustrated in Ausstellung Pablo Picasso, exh. cat. (Munich: Moderne Galerie Heinrich Thannhauser, 1913), no. 53
642
not a matter of connecting spots, but
glimmering light. Black, white, ocher
run together. Elsewhere paint spread about
restless, yet light still more mild
Uses spots to mold a mysterious space,
interweaving it with various colors
Mandolin peaceful here local
tones yellow
2
The Mandolin Player, 1911. Oil on canvas, 39 5/8 x 27 3/8 in. (100.5 x 69.5 cm). Fondation Beyeler, Basel, Sammlung Beyeler. Identification: Pierre Daix and Joan Rosselet, Picasso: The Cubist Years, 1907–1916: A Catalogue Raisonné of the Paintings and Related Works (Boston: New York Graphic Society, 1979), no. 425
24 recto
321
yellowish background
[sketch]2 Here now independent
Pieces and sections of vessels
like later
Deformation of pitcher.
Cézanne would have rendered it in color tones
beautiful form was latent. Here
form emphasized, lines in general basis
of composition. Chiaroscuro, and in addition
combined color brilliant like [El] Greco’s, not
the plein air of Cézanne.
1
Still Life (Still Life with Bouquet of Flowers), 1908. Oil on canvas, 15 1/8 x 18 3/8 in. (38.2 x 46.5 cm). Sold Sotheby’s New York: November 4, 2014 (lot 27). Identification: Jana Claverie, Vincenc Kramář: Un théoricien et collectionneur du cubisme à Prague (Paris: Reunions des Musées Nationaux, 2002), p. 227
523
1909 autumn 80x60 Canvas, oil
Bur[nt] sienna with white, dark, some ocher,
gray, black, white, emer[ald] green brilliant
and pale with gray.
Characteristic mixture of sienna and gray.
Kräftig!4 Among most beautiful works of 1909
From sculpture period. Painted
Here closer to Cézanne, more
modeling and in fact just
a richer Ingres. Light, sculpture
dominant, and light increasingly decolorizes
3
Woman with Pears, 1909. Oil on canvas, 36 1/4 x 27 7/8 in. (92.1 x 70.8 cm). The Museum of Modern Art, New York, Florene May Schoenborn Bequest. Illustrated in Ausstellung Pablo Picasso, exh. cat. (Munich: Moderne Galerie Heinrich Thannhauser, 1913), no. 52
4
German. Full-blooded, vigorous, or substantial.
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